Welcome to the remarkable first four issues of Simpsons Comics, brought to you by the Bongo Comics Group, a small but overachieving band of merry artists, designers, lawyers and publicists. Their work looks effortless, but the Bongo gang has shed several droplets of sweat, a few droplets of blood, and perhaps even a couple of tears of joy in the making of these comics.
Don't worry, however: All Bongo bodily secretions have been wiped off the original art so as not to distract you from your entertainment experience.
As Bart might say, "We're proud of these comics, man." As Lisa might say, "Damn, they're good."
And as Marge might say, "I don't want you sitting up in that tree house all day reading comic books You'll ruin your eyes "
The bestselling international classic on storytelling and visual communication
"You must read this book." -- Neil Gaiman
Praised throughout the cartoon industry by such luminaries as Art Spiegelman, Matt Groening, and Will Eisner, Scott McCloud's Understanding Comics is a seminal examination of comics art: its rich history, surprising technical components, and major cultural significance. Explore the secret world between the panels, through the lines, and within the hidden symbols of a powerful but misunderstood art form.
A NEW YORK TIMES BESTSELLER
Andre Roussimoff is known as both the lovable giant in The Princess Bride and a heroic pro-wrestling figure. He was a normal guy who'd been dealt an extraordinary hand in life. At his peak, he weighed 500 pounds and stood nearly seven and a half feet tall. But the huge stature that made his fame also signed his death warrant.
Box Brown brings his great talents as a cartoonist and biographer to this phenomenal new graphic novel. Drawing from historical records about Andre's life as well as a wealth of anecdotes from his colleagues in the wrestling world, including Hulk Hogan, and his film co-stars (Billy Crystal, Robin Wright, Mandy Patinkin, etc), Brown has created in Andre the Giant, the first substantive biography of one of the twentieth century's most recognizable figures.
#1 New York Times Bestseller
2014 NATIONAL BOOK AWARD FINALIST
In her first memoir, New Yorker cartoonist Roz Chast brings her signature wit to the topic of aging parents. Spanning the last several years of their lives and told through four-color cartoons, family photos, and documents, and a narrative as rife with laughs as it is with tears, Chast s memoir is both comfort and comic relief for anyone experiencing the life-altering loss of elderly parents.
When it came to her elderly mother and father, Roz held to the practices of denial, avoidance, and distraction. But when Elizabeth Chast climbed a ladder to locate an old souvenir from the crazy closet with predictable results the tools that had served Roz well through her parents seventies, eighties, and into their early nineties could no longer be deployed.
While the particulars are Chast-ian in their idiosyncrasies an anxious father who had relied heavily on his wife for stability as he slipped into dementia and a former assistant principal mother whose overbearing personality had sidelined Roz for decades the themes are universal: adult children accepting a parental role; aging and unstable parents leaving a family home for an institution; dealing with uncomfortable physical intimacies; managing logistics; and hiring strangers to provide the most personal care.
An amazing portrait of two lives at their end and an only child coping as best she can, Can't We Talk about Something More Pleasant will show the full range of Roz Chast s talent as cartoonist and storyteller."
BEST OF THE YEAR NODS FROM AMAZON.COM AND PUBLISHERS WEEKLY
"Kerascoet... render Aurora and her friends in the huge-eyed style of classic children's book illustrations, but cuteness is just another Darwinian survival strategy here. Even on her clover-high scale, as Aurora discovers, romance is decided by social pecking order and murderous deceit."--Douglas Wolk, New York Times
Kerascoet's and Fabien Vehlmann's unsettling and gorgeous anti-fairy tale is a searing condemnation of our vast capacity for evil writ tiny. Join princess Aurora and her friends as they journey to civilization's heart of darkness in a bleak allegory about surviving the human experience. The sweet faces and bright leaves of Kerascoet's delicate watercolors serve to highlight the evil that dwells beneath Vehlmann's story as pettiness, greed, and jealousy take over. Beautiful Darkness is a harrowing look behind the routine politeness and meaningless kindness of civilized society.
BEST OF THE YEAR NODS FROM THE GLOBE & MAILL, AMAZON.COM, QUILL & QUIRE
"The Toronto cartoonist's first full-length graphic novel follows a clutch of misfit ants, trying to maintain some semblance of civilization in the shadow of war. Psychedelically gorgeous, uncomfortably funny."-Sean Rogers, Globe & Mail Best Books of 2014
The debut graphic novel from a dazzling newcomer with a singular, idiosyncratic style
In the few short years since he began his pamphlet-size comic book series Lose, Michael DeForge has announced himself as an important new voice in alternative comics. His brash, confident, undulating artwork sent a shock wave through the comics world for its unique, fully formed aesthetic.
From its opening pages, Ant Colony immerses the reader in a world that is darkly existential, with false prophets, unjust wars, and corrupt police officers, as it follows the denizens of a black ant colony under attack from the nearby red ants. On the surface, it's the story of this war, the destruction of a civilization, and the ants' all too familiar desire to rebuild. Underneath, though, Ant Colony plumbs the deepest human concerns-loneliness, faith, love, apathy, and more. All of this is done with humor and sensitivity, exposing a world where spiders can wreak unimaginable amounts of havoc with a single gnash of their jaws.
DeForge's striking visual sensibility-stark lines, dramatic color choices, and brilliant use of page and panel space-stands out in this volume.