In this lively and informed exploration of women's lives in the larger context of U.S. social and political history, Rosalind Rosenberg shows how American traditions of federalism, racial and ethnic diversity, geographic mobility, and relative abundance have both aided and hindered women's strides toward equality.
On the fortieth anniversary of patti smith's seminal album Horses, a revised and updated version of her powerful collected lyrics
An American original, Patti Smith is a multi- disciplined artist and performer. Her work is rooted in poetry, which infused her 1975 landmark album, Horses. A declaration of existence, Horses was described as "three chords merged with the power of the word"; it was graced with the now-iconic portrait by Robert Mapplethorpe, the subject of her award-winning memoir Just Kids.
Initially published in 1998, Patti Smith's Complete Lyrics was a testimony to her uncompromising poetic power. Now, on the fortieth anniversary of the release of Smith's groundbreaking album, Collected Lyrics has been revised and expanded with more than thirty-five addi-tional songs, including her first, "Work Song," written for Janis Joplin in 1970, and her most current, "Writer's Song," to be recorded in 2015. The collection is liberally illustrated with original manuscripts of lyrics from Smith's extensive archive.
Patti Smith's work continues to retain its relevance, whether controversial, political, romantic, or spiritual. Collected Lyrics offers forty-five years of song, an enduring commemoration of Smith's unique contribution to the canon of rock and roll.
HORSES Gloria (In Excelsis Deo) Redondo Beach Birdland Free Money Kimberly Fire of Unknown Origin Break It Up Land Elegie RADIO ETHIOPIA Ask the Angels Ain't It Strange Poppies Pissing in a River Pumping (My Heart) Distant Fingers Chiklets Radio Ethiopia/Abyssinia EASTER Till Victory Space Monkey Because the Night Ghost Dance Babelogue Rock n Roll Nigger We Three 25th Floor High on Rebellion Godspeed Easter WAVE Frederick Dancing Barefoot Revenge Citizen Ship Seven Ways of Going Broken Flag Wave Hymn DREAM OF LIFE People Have the Power Up There Down There Paths That Cross Somalia Wild Leaves Dream of Life It Takes Time Where Duty Calls Going Under As the Night Goes By Looking for You (I Was) The Jackson Song Memorial Song GONE AGAIN Gone Again Beneath the Southern Cross About a Boy My Madrigal Summer Cannibals Dead to the World Wing Ravens Fireflies Farewell Reel Come Back Little Sheba PEACE AND NOISE Waiting Underground Whirl Away 1959 Don't Say Nothing Dead City Blue Poles Death Singing Memento Mori Last Call GUNG HO One Voice Lo and Beholden Boy Cried Wolf Persuasion Gone Pie China Bird Glitter in Their Eyes Strange Messengers Grateful Upright Come New Party Libbie's Song Gung Ho TRAMPIN' Trampin' Jubilee Mother Rose Stride of the Mind Cartwheels Gandhi Trespasses In My Blakean Year Cash Peaceable Kingdom Radio Baghdad
Auguries of Innocence is the first book of poetry from Patti Smith in more than a decade. It marks a major accomplishment from a poet and performer who has inscribed her vision of our world in powerful anthems, ballads, and lyrics. In this intimate and searing collection of poems, Smith joins in that great tradition of troubadours, journeymen, wordsmiths, and artists who respond to the world around them in fresh and original language. Her influences are eclectic and striking: Blake, Rimbaud, Picasso, Arbus, and Johnny Appleseed. Smith is an American original; her poems are oracles for our times.
A collection of thrilling verse, including both new poems and beloved favorites, from the celebrated poet, modern cult icon, and author of Chelsea Girls.
Eileen Myles' work is known for its blend of reality and fiction, the sublime and the ephemeral. Her work opens readers to astonishing new considerations of familiar places, like the East Village in her iconic Chelsea Girls, and invites them into lush--and sometimes horrid--dream worlds, imbuing the landscapes of her writing with the vividness and energy of fantasy.
I Must Be Living Twice brings together selections from the poet's previous work with a set of bold new poems that reflect her sardonic, unapologetic, and fiercely intellectual literary voice. Steeped in the culture of New York City, Myles' milieu, I Must Be Living Twice is a prism refracting a radical world and a compelling life.
Available once again for a new generation of readers, the groundbreaking and candid coming-of-age novel in-real-time from one of America's most celebrated poets that is considered a cult classic.
In this breathtakingly inventive autobiographical novel, Eileen Myles transforms life into a work of art. Told in her audacious voice, made vivid and immediate in her lyrical language, Chelsea Girls cobbles together memories of Myles' 1960s Catholic upbringing with an alcoholic father, her volatile adolescence, her unabashed -lesbianity, - and her riotous pursuit of survival as a poet in 1970s New York.
Suffused with alcohol, drugs, and sex; evocative in its depictions of the hardscrabble realities of a young artist's life; and poignant with stories of love, humor, and discovery, Chelsea Girls is a funny, cool, and intimate account of a writer's education, and a modern chronicle of how a young female writer shrugged off the chains of a rigid cultural identity meant to define her.
"One of the savviest and most restless intellects in contemporary literature--honest, jokey, paranoid, sentimental, mean, lyrical, tough, you name it."--Dennis Cooper
" Myles' writing] comes across simultaneously as effortless and utterly gorgeous. . . . To be able to write with such gentleness and force all at the same time is such a gift, and Myles is completely generous in how she uses this."--Ron Silliman
Two books meet as one in legendary poet, critic, and novelist Eileen Myles' newest collection. In a world overflowing with technology and its mutant offspring, moments of human ecstasy and connection are as indelible as they are fleeting. Indeed, with every page, the poems of Snowflake and different streets create poet and poem anew.
some cars seem to erupt
from the tar itself
they seem to pull
from below the surface of the land
though I don't think land. I mean something flat, something
almost like a water that we're on
though a dark water that
Eileen Myles has published more than a dozen books of poetry, criticism, and fiction. She was recently awarded the 2010 Shelley Memorial Award for poetry and, for her novel Inferno, the Lambda Literary Award for Lesbian Fiction. She lives in New York.
A poet and post-punk heroine writes on subjects ranging from Bjork to Robert Smithson, from traveling in Iceland to walking in Thoreau's footsteps on Cape Cod
Poet and post-punk heroine Eileen Myles has always operated in the art, writing, and queer performance scenes as a kind of observant flaneur. Like Baudelaire's gentleman stroller, Myles travels the city--wandering on garbage-strewn New York streets in the heat of summer, drifting though the antiseptic malls of La Jolla, and riding in the van with Sister Spit--seeing it with a poet's eye for detail and with the consciousness that writing about art and culture has always been a social gesture. Culled by the poet from twenty years of art writing, the essays in The Importance of Being Iceland make a lush document of her--and our--lives in these contemporary crowds. Framed by Myles's account of her travels in Iceland, these essays posit inbetweenness as the most vital position from which to perceive culture as a whole, and a fluidity in national identity as the best model for writing and thinking about art and culture. The essays include fresh takes on Thoreau's Cape Cod walk, working class speech, James Schulyer and Bjork, queer Russia and Robert Smithson; how-tos on writing an avant-garde poem and driving a battered Japanese car that resembles a menopausal body; and opinions on such widely ranging subjects as filmmaker Sadie Benning, actor Daniel Day-Lewis, Ted Berrigan's Sonnets, and flossing.
A unique and provocative anthology of lesbian writing, guaranteed to soothe the soulful and savage the soulless. Includes Adele Bertei, Holly Hughes, Sapphire, Laurie Weeks, and many more.
Borrowing its name from the notorious '60s Ed Sanders magazine, Fuck You: A Magazine of the Arts, the editors have figured a way to rehone its countercultural and frictional stance with style and aplomb. A unique and provocative anthology of lesbian writing, guaranteed to soothe the soulful and savage the soulless. Includes Adele Bertei, Holly Hughes, Sapphire, Laurie Weeks, and many more.
This brilliant, incisive volume captures the high points of Myles' work in New York City during the 1980s.
Listen, I have been educated. I have learned about Western Civilization. Do you know What the message of Western Civilization is? I am alone. This breakthrough volume, published in 1991 by the author of Cool For You and Chelsea Girls captures the high points of Myles' work in New York City during the 1980s. Poet, novelist, lesbian culture hero and one-time presidential candidate, Myles has influenced a whole generation of young queer girl writers and activists. She is one of the most brilliant, incisive, immediate writers living today.
"One of the savviest and most restless intellects in contemporary literature--honest, jokey, paranoid, sentimental, mean, lyrical, tough, you name it."--Dennis Cooper
Eileen Myles has written thousands of poems since she gave her first reading at CBGB in 1974. BUST magazine calls her "the rock star of modern poetry" and The New York Times says she's "a cult figure to a generation of post-punk females forming their own literary avant garde."
Myles' trademark punk-lesbian sensibility and intimate knowledge of poetic tradition are at work in this eighth collection, where every love poem is political, and every political poem is, ultimately, about love.
I thought if
I inventoried home it would be broad
my eyes fling open
like a doll's
to the virtual space that suddenly
resembles the walls
the most interesting artists are large;
while the people we know are
masses of flowers
& when I turn
on my cellphone I see
Eileen Myles has published over a dozen books of poetry, prose, and plays. Formerly the director of the St. Mark's Poetry Project, as well as a write-in candidate for president in 1992, in 1997 Myles toured with Sister Spit's Ramblin' Road Show. Her books include Snowflake/different streets, Inferno, The Importance of Being Iceland, Skies, Maxfield Parrish, Not Me, and Chelsea Girls (stories).
First published in 1897, Dracula has had a long and multifaceted afterlife--one rivaling even its immortal creation; yet Bram Stoker has remained a hovering specter in this pervasive mythology. In Something in the Blood, David J. Skal exhumes the inner world and strange genius of the writer who birthed an undying cultural icon, painting an astonishing portrait of the age in which Stoker was born--a time when death was no metaphor but a constant threat easily imagined as a character existing in flesh and blood.
Just as in his celebrated histories The Monster Show and Hollywood Gothic, Skal draws on a wealth of newly discovered documents with "the skills of a fine detective" (New York Times Book Review) to challenge much of our accepted wisdom about Dracula, Stoker, and the late Victorian age. Staging Stoker's life against a grisly tableau of the myriad anxieties plaguing the Victorian fin de siecle, Skal investigates Stoker's "transgendered imagination," unearthing Stoker's unpublished, sexually ambiguous poetry and his passionate youthful correspondence with Walt Whitman--printed in full here for the very first time.
Born into a middle-class Protestant family in Dublin in "Black 47"--the year the potato famine swept the country--Stoker was inexplicably paralyzed as a boy, and his early years unfold alongside a parade of Victorian medical mysteries and horrors: cholera and typhus, frantic bloodletting, mesmeric quack cures, and the gnawing obsession with "bad blood" that colors Dracula. While destined to become best known for his legendary undead count, Bram Stoker would become a prolific writer, critic, and theater producer, rubbing shoulders with Henry Irving, Hall Caine, and Lady Jane Wilde and her salon set--including her fated-to-be-infamous son Oscar.
In this probing psychological and cultural portrait of the man who brought us one of the most memorable monsters in history, Skal reveals a lifetime spent wrestling with the greatest questions of an era--a time riddled by disease, competing attitudes toward sex and gender, and unprecedented scientific innovation accompanied by rising paranoia and crises of faith. Stoker's battle resulted in a resilient modern folktale that continues to shock and enthrall; perhaps the most frightening thing about Dracula, Skal writes, "is the strong probability that it meant far less to Bram Stoker than it has come to mean to us."
Towers of steel and glass are decimating Toronto's neighbourhoods; replacing communities with condos. Can the city's primary purveyors of socially motivated revenge and personal guidance, Komio and The Willendorf Braid, save the city from condo hell, or are they too late to save this Hogtown from the twisted CEO?
Eric Kostiuk Williams is a cartoonist and illustrator based in Toronto, ON. His debut autobiographical work Hungry Bottom Comics was nominated for the 2013 Doug Wright Spotlight Award, and each issue of the series was selected for The Best American Comics' Notable Books of 2013, 2014 and 2015, respectively.
When Nicole Georges was two years old, her family told her that her father was dead. When she was twenty-three, a psychic told her he was alive. Her sister, saddled with guilt, admits that the psychic is right and that the whole family has conspired to keep him a secret. Sent into a tailspin about her identity, Nicole turns to radio talk-show host Dr. Laura Schlessinger for advice.
Packed cover-to-cover with heartfelt and disarming black-and-white illustrations, Calling Dr. Laura tells the story of what happens to you when you are raised in a family of secrets, and what happens to your brain (and heart) when you learn the truth from an unlikely source. Part coming-of-age and part coming-out story, Calling Dr. Laura marks the arrival of an exciting and winning new voice in graphic literature.
Ignatz Award winner Tillie Walden's powerful graphic memoir Spinning captures what it's like to come of age, come out, and come to terms with leaving behind everything you used to know.
It was the same every morning. Wake up, grab the ice skates, and head to the rink while the world was still dark.
Weekends were spent in glitter and tights at competitions. Perform. Smile. And do it again.
She was good. She won. And she hated it.
For ten years, figure skating was Tillie Walden's life. She woke before dawn for morning lessons, went straight to group practice after school, and spent weekends competing at ice rinks across the state. Skating was a central piece of her identity, her safe haven from the stress of school, bullies, and family. But as she switched schools, got into art, and fell in love with her first girlfriend, she began to question how the close-minded world of figure skating fit in with the rest of her life, and whether all the work was worth it given the reality: that she, and her friends on the team, were nowhere close to Olympic hopefuls. The more Tillie thought about it, the more Tillie realized she'd outgrown her passion--and she finally needed to find her own voice.
This title has Common Core connections.
A New York City Public Library Notable Best Book for Teens
A Chicago Public Library Best Book of 2017
A bisexual, polyamorous love story for the modern era. Hazel is already in a happy relationship when she meets Argent, a dominatrix who's sweet and tender outside of the bedroom. Sugar Town is a fun, colorful comic about a young woman's journey through the delights and disappointments of multiple lovers.
Chainmail Bikini is an anthology of comics by and about female gamers Forty cartoonists have contributed comics about the games they're passionate about--from video games to tabletop role-playing to collectible card games. The comics in Chainmail Bikini explore the real-life impact of entering a fantasy world, and how games can connect us with each other and teach us about ourselves. Alliances are forged, dice get rolled, and dragons get slain Chainmail Bikini shows that while women are not always the target market for gaming, they are a vital and thoroughly engaged part of it, and are eager to express their personal take as players, makers, and critics of games.
Chainmail Bikini is edited by Hazel Newlevant (If This Be Sin), and features a cover illustration by Hellen Jo and comics by established talents and rising stars including Annie Mok, Jane Mai, Molly Ostertag, MK Reed, and Sophie Yanow.
An astonishing debut, how to get over is part instruction manual, part prayer, part testimony. It attempts to solve the reader's problems (by telling them how to get over), while simultaneously creating them--troubling the waters with witness and blues. ford's poems witness via a series of "past life portraits" that navigate personal space as well as the imagined persona. These portraits conjure the blues via the imagined lives of the inanimate (a whip, a machete), the historic (a Negro burial ground, Harriet Tubman, The Red Summer), the iconic (Pecola Breedlove, Richard Pryor, Rodney King). At the same time, these portraits focus on the past lives of the author and grapple with themes including sexuality, sexual abuse, and substance abuse.
The collection's namesake poems speak to bullying and homophobia, blackness, whiteness and gentrification, and even directly address pop culture icons like Kanye West, Chaka Khan, and Nicky Minaj. Grounded in memory and re-memory, these poems pray in the voice of the ancestors and testify on their behalf. ford's poems not only remind how the history and legacy of slavery placed African-Americans at an unfair disadvantage, but attempt to illuminate the beautiful struggle of a people's endurance and resilience. The reader embarks upon a journey through these poems, circa 1787 to 2013, and emerges realizing that everything is connected--the ways we live, lie, love, and die--the ways we all get over.
Those who lack a talent for love have come
to walk the long Pier 7. Here at the end
of the imagined world are three low-flying gulls
like lies on the surface; the slow red
of a pilot's boat; the groan
of a fisherman hacking a small shark--
and our speech like the icy water, a poor
translation that will not carry us across.
What brought us west, anyway? A hunger.
But ours is no Donner Party, we who feed
only on scenery, the safest form
of obfuscation: see how the bay is a gray
deepening into gray, the color of heartbreak.
Randall Mann's Breakfast with Thom Gunn is a work both direct and unsettling. Haunted by the afterlife of Thom Gunn (1929-2004), one of the most beloved gay literary icons of the twentieth century, the poems are moored in Florida and California, but the backdrop is -pitiless, - the trees -thin and bloodless, - the words -like the icy water- of the San Francisco Bay. Mann, fiercely intelligent, open yet elusive, draws on the -graceful erosion- of both landscape and the body, on the beauty that lies in unbeauty. With audacity, anxiety, and unbridled desire, this gifted lyric poet grapples with dilemmas of the gay self embroiled in--and aroused by--a glittering, unforgiving subculture. Breakfast with Thom Gunnis at once formal and free, forging a sublime integrity in the fire of wit, intensity, and betrayal.
Praise for Complaint in the Garden
-We have before us a skillful, witty, passionate young poet. . . . Randall Mann is both attuned to and at odds with the natural world; he articulates the passions and predicaments of a self inside a massive, arousing, but sometimes brutal culture. And he accomplishes these things with buoyant lyric sensibilities and rejuvenating skills.---Kenyon Review
Randall Mann combines the regal and ribald, his ear for poetic form matched by his unrelenting eye for lasciviousness, in this fetching chronicle of oversexed youth.
"Craft and bravura mix well...Mann shows himself Thom Gunn's] apt pupil...The clarity startles." -Richard Rayner, Los Angeles Times